For June, we are asking you to send in a picture of a miniature using new mediums. For full instructions, look here.
It may take a few days for your pictures to be posted. After the end of the monthly challenge, you will receive a small thank you gift for participating.
Here are the beautiful submissions:
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From Jennifer Brodeur:
Working in half scale is requiring me to rethink my use of materials. Here is an example of paper bed frames cut out on a Cricut Joy, then covered in hot glue to make them look like wood branches for my Three Bears cabin. Fortunately, the rustic nature of the project blends nicely with my minimal hot glue skills! Baby Bear's bed painting in progress.
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From Cindy Bottasso:
I’ve been learning about how to make wood bend with laser cuts to make dollhouse hot tubs, pots, furniture and someday houses with curves.
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From Elizabeth Lubera:
For the June 2025 Challenge I am submitting a miniature creation that – in medium and technique – truly took me outside my comfort zone.
The miniature in question (first photo) is a miniature quilt with a log cabin motif that I now display on a beautiful brass bed (a magnificent Jason Getzan design) in one of the bedrooms of my favorite miniature house.
The quilt was created during a class I took in the early 1990s at Castine with IGMA Fellow Kate Adams, who guided me through the very difficult process of quilt piecing. Quilt piecing involves many steps, including: cutting, pinning and sewing together very small quilt blocks (pieces of fabric, at times, of various sizes and shapes) that are then sewed together to create a larger and more complex design. What made the process even more challenging was the degree of accuracy and precision required to properly align the various components – and the older sewing machine that didn’t always cooperate. I recall that Kate Adams was so gracious, even staying after class to help me tackle this challenging new medium and to create a quilt that I can be truly proud of.
I am happy to own (second photo) one of Kate Adams’ own quilt creations with the pattern “New Jersey Baby”), and made using authentic antique fabrics and techniques, celebrating the achievements of women quilters of the past, present and future.
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From Suzie Aguilar:
I hate to paint! Any type of painting. I avoid it at all costs. But I love Beth Freeman-Kane’s work. When I had the opportunity to take a class by her, I was thrilled. Then I realized ‘This is four full days of painting miniatures! What was I thinking!’ But then realized if anyone could teach me to paint, it would be Beth. And she did. She was so patient and a marvelous instructor. The photo is of the project I completed with her, taken at the KSB Museum in Maysville, through IGMA. I’m signed up for another class at the Guild School too!
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From Kathy Koons:
When my local club, Miniature World of Central Florida, made this Southwestern exterior/interior in 1996, I learned several new techniques. But the one that has stuck with me and has been the most useful was using Kleenex to create stucco. It is also incredibly fun- paint a small area, put torn Kleenex over it, and then another swipe of the paintbrush over the Kleenex.
